Lp Suburban Sprawl Alcohol
(3) - Suburban Sprawl & Alcohol first pressing or reissue. Complete your L.P. (3) collection. Shop Vinyl and CDs. Listen free to L.P. – Suburban Sprawl & Alcohol (Wasted, The Darkside and more). 11 tracks (43:47). Discover more music, concerts, videos, and pictures with the. Suburban Sprawl & Alcohol Lyrics: Suburban sprawl and alcohol / And what's the use in anything at all / When you can't remember and you can't forget /.
Lyrics: Suburban sprawl and alcohol And what's the use in anything at all When you can't remember and you can't forget And you want to change But you haven't yet and. We all turn back in the end We all turn back in the end I couldn't wait to get away From all the things I love to hate Like the kitchen table, the sewing room When it was finally over It was too soon and. We all turn back in the end We all turn back in the end Suburban sprawl and alcohol And what's the use in anything at all when.
We all turn back in the end We all turn back in the end This is copyrighted material which i dont own.
Youtube Lp Suburban Sprawl
From the real-life Beavis and Butthead-like image singer/songwriter L.P. Strikes in her anti-glamour front cover shot, juxtaposed with a convenience store and a stretch of mostly identical houses behind her, to the similarly plainspoken lyrics and her appealingly rough-edged vocal style (which alternates between a gruff talk-singing lower register and a -like high-register peal that suggests that her press release's claim of being an opera singer's daughter isn't a fib), is something of a concept album.
Canals And Channels
Don't let that stop you, however, because even more than that, it's a collection of nine powerfully sung and lyrically compelling songs that owe an unexpected but seemingly genuine debt to the best of late-'70s/early-'80s FM rock: elements of, and even a little course through radio-ready tunes like the ironically anthemic 'Wasted' and the completely brilliant 'The Dark Side,' not to mention the dramatic power ballad title track. Refreshingly non-ironic and bracingly honest, is a huge leap from 2001's less compelling.